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Golden lacquerware  
   

Golden lacquerware

Last step of the production of golden lacquerware by washing off the redundant gold leaves
77) Bagan, the Buddhist plain of merit

October 26th 2005
For those readers who do not follow our adventures on a regular basis, we are still in the Bagan Archaeological Zone, and about to write about less well-known monuments. This classification is by no means meant as a qualification, we just saw too much and have too many pictures that we would like to share, so we split our Bagan impressions into two blogs. There are definitely highlights in Bagan, ... read more
Asia » Burma » Mandalay Region » Bagan

Burmese Flag Britain conquered Burma over a period of 62 years (1824-1886) and incorporated it into its Indian Empire. Burma was administered as a province of India until 1937 when it became a separate, self-governing colony; independence from the Commonwealth wa... ... read more
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7th November 2011

Traditional Lacquer in VietNam
As a traditional fine art which goes back many years in Vietnam though no one knows for sure how many, Vietnamese lacquerware was handed down from generation to generation as a family secret until the first half of the 20th century when the renovation in the field led by excellent artists of Indochina Fine Arts school in Hanoi made the occupation popular not only in Vietnam but also all over the world. Since then, the legend of Vietnamese [URL="http://www.tlcrafts-interiors.com/Lacquer-ware.html?Itemid="]lacquer ware[/URL] has really come true. Many generations of lacquer artists have gradually enhanced the quality of Vietnamese lacquerware in the last seventy years; discovering new materials to add to the palette of colored lacquers, the method of mixing various colors, the process of creating the lacquerware and particularly the technique of rubbing the lacquerware in water. Vietnamese lacquer art, however, is an extremely time - consuming and labor - intensive work; Vietnamese lacquerware is the hard work of many people: Lacquer artists, lacquer painters, and many workers who shed their sweat to the fullest spending over 100 days through 20 stages to create the Vietnamese lacquerware. As a result, every Vietnamese lacquerware bears the feelings of its creator: flexibility, complexity and variety. The lacquerware seems to carry something now appears now disappears passionately, ardently and magically. Many artists always say that the first time they really saw the lacquer, it was its blackness that impressed them. It is the black of the universe holding all things and having incredible depth to it.

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