Along with the Fantastic Mr Fox, the New York tabloid press is always good for a laugh. This week, the New York Post and to some extent the Daily News have had a good snarl or a sneer at (1) the Al Quaeeda chief ‘biting the dust’, or at (2) the hopeless Italian legal system (‘Knox out!’). Sports pages and several of
the front pages are this week plastering coverage of the play-off baseball games, as the New York Yankees (think Man U) try to reach the World series final. The best of 5 game series against the Detroit Tigers is currently poised at 2-2. Our hotel was too mean to provide the requisite live coverage, so I had to make do with the NYC equivalent of Jeff Stelling and his mates. Tickets for the Yankee Stadium games last weekend were a bit hard to come by, so we lashed out on an evening at a theatre in the YMCA on the west side of Central Park. There was no sign of giant gay construction workers doing musical alphabet stuff. Instead, probably because the play was ‘Freud’s Last Session’ (guess whose idea it was to go) , the audience included at least one Woody Allen sound-alike whom we overheard trying to out-namedrop his psychotherapist mate. The play held attention, although the final minutes, as poor old Sigmund coughed blood to signal he was near the end, was a bit of a welcome relief. The next afternoon we trotted around Greenwich Village, trying to spot Woody Allen or Bob Dylan. Neither of them was in the queue at the Film Forum when we checked in to see a new French film about Serge Gainsbourg. Lots of smoking, sex and alcohol, some good music and acting coming from the screen, and far too much popcorn being noisily shovelled by the Olympic popcorn mastication group sitting behind us. Psychotherapists on Sunday, popcorn junkies on Monday and a mixed bag of people at the New York Ballet on Tuesday. I’m not a ballet fan, and neither, apparently, were half the blokes sleeping around us in the very comfortable seats at the Lincoln Centre. Great venue, good music (Faure and Tchaikovsky). Despite that, I remain unmoved by the power of the ballet, despite the critical acclaim afforded to the production by my companion and, it must be said, by most of the other 2000 punters. At $31 a ticket, this was not a bad evening out. I don’t suppose I missed a lot of action on the bit of the stage I couldn’t quite see. There always seemed to be someone doing something similar on the other side so you could catch upon what you missed. Maybe it’s the symmetry that gets up my nose in ballet. You don’t get symmetry in football which is why I like it. You never know which way Messi’s going to go, which foot he’s going to shoot with or which way he’ll slot it past the goalie. Apparently they actually rehearse their moves in ballet......We had a good Saturday morning with Nic and Sara (ex-Winchester) at the Lower East Side Tenement Museum. This is a great museum. Most people’s first experiences of New York focus on the leading icons of wealth, particularly of the last 100 years, with skyscraper mega-rich names like Woolworth and Chrysler, Rockefeller and Trump. The guide books invite you to marvel at these incredible buildings, along with the Empire State and the big hole at Ground Zero. This museum is about poverty. The Lower East Side has been first US home to successive waves of immigrants starting from nothing. Irish, German, Russian, Jewish, Italian, and others from Eastern Europe and elsewhere. The museum runs tours of one time-warped tenement house (97 Orchard Street) and in the neighbourhood. We stuck a pin in a list of options and signed up for the tour with an Irish flavour, complete with other
(American) visitors with Irish or German heritages. Our guide, a Peruvian, Renzo Ortega (surely should be O’Tega?) was brilliant. Along with making it clear why the Irish didn’t exactly love the English in the 1840s (you say potato; I say famine), Renzo evoked superbly the hardships of overcrowding, lack of money, food, health care and sanitation, to say nothing of discrimination, through the story of a particular Irish family who had lived (and some died) in the house in the latter half of the 19th century, following the potato famine in Ireland. It wasn’t a barrel of laughs, but gave us all a great understanding of how immigrant communities worked within and against the law (and still do). If you’re in New York, go there. Ask for Renzo. No fudge or tea towels in the museum shop. (Note to Nic and Sara: When you walked over Brooklyn Bridge on Saturday afternoon, did you manage to avoid arrest on Saturday, or did you ignore police warnings and carry on?)