Having found costumes, a recording of the call to prayer and the white taj, I set about to identify the narrators and actors for the celebration program. I wanted to utilize young and older people as well as a variety of races, which would be in keeping with Bahá’í principles. After asking several people to play various parts, I realized that it would be difficult to find Africans who would be willing to act out what I had written. Fortunately, the Persian Bahá’í community in South Africa exists in considerable numbers and they were more than willing to accept a variety of parts. Unfortunately, however, none of them had anything in the way of traditional Persian attire that could be used in costuming. Which, as I thought about it, made sense as many of them
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