London is a bit dull and gray in January. The antidote? A weekend in sunny and warm southern Spain. A few plates of tapas, some vino tinto and the company of a good friend who just moved to the city were just what the doctor ordered.
Sevilla is a lovely two-thousand year old city which has played host over the centuries to the Romans, Vandals, Visigoths, Moors and finally the Spanish - all of whom contributed to its character. The result is a unique and beautiful layering of architectural and religious styles. The Romans left behind an amphitheatre and other ruins that can be seen in the ancient Roman town Italica, now Santiponce, which is a 15 minute bus ride from downtown Sevilla. The Moors built the city walls, Mosques with tall minarets (from which the call to prayer is issued) and a fort-palace in the old city center. The Christians built their Gothic churches around and over the mosques (although they left one beautiful minaret, the Giralda, intact for use as a bell tower) and expanded and converted the Moorish fort into a palace called the Alcazar for the medieval rulers of the Iberian peninsula. Taking a cue from
the original Islamic design, the Alcazar was built in beautiful Mudejar style with tile and latticework in room after room in a layout punctuated by inner courtyards and surrounded by gardens. Gothic elements were added to the palace later and Christian and nationalistic symbols of Sevilla were layered over the original design.
During the Spanish Golden Age of the 15th and 16th centuries, Spain’s territories in the New World were controlled and administered from Sevilla. All the riches brought back from the colonies sailed there first and all administrative decisions concerning the running of the Spanish empire in the Americas were taken there. This added to the cultural and literal richness of the city.
After a day of seeing the sights, my friend and I went to a Flamenco show in a converted warehouse space in the old Jewish quarter (Santa Cruz). A dancer, singer and flautist took turns being the center of attention with the traditional guitar music as background. The ambiance, sangria and great performance combined to create a perfect last evening in Sevilla.
Roman Ampitheatre in ItalicaThe remains of the ancient Roman town of Italica are in Santiponce. We took a 15 minutes bus ride there from downtown Seville.
Flamenco showOn a NY Times recommendation we went to La Carbonerķa in Santa Cruz for some Flamenco on Sunday night. I loved it. Great atmosphere and sangria and the guitarist, singer, flautist and dancer were al
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Cathedral of SevillaBy some accounts the third largest Church in Christendom (after St. Peters in Rome and St. Pauls in London). Love the flying buttresses.
GiraldaOne of Sevilla's most famous landmarks, it sits on the former site of a mosque in the old city. When the mosque was torn down to build the Sevilla Cathedral the Giralda was left intact and converted
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Michener's rap against flamenco in his "Iberia" is that it's been corrupted into a tourist show everywhere. Still, it's something you wouldn't see on a normal Saturday night in Arlington. So how authentic was the dancing, in your friend's opinion? Was the flamenco guitar as good, say, as Manitas de Plata? And was the flamenco singing their usual semi-rythmic shouting?
Sorry, my Spain will always be the North. Love that gaita, bodhran (borrowed from the Irish), and hurdy-gurdy music!
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